“And then there’s this guy named Bob Log, you ever heard of him? He’s this little kid — nobody ever knows how old he is — wears a motorcycle helmet and he has a microphone inside of it and he puts the glass over the front so you can’t see his face, and plays slide guitar. It’s just the loudest strangest stuff you’ve ever heard. You don’t understand one word he’s saying. I like people who glue macaroni on to a piece of cardboard and paint it gold. That’s what I aspire to basically”
Bob Log III, Fat Possum recording artist and one man band crown prince of punk blues from Tuscon, Arizona. Witnessing Bob Log live is an unmissable and unforgettable experience. By rights he should be a punk blues stadium super star. He takes to the stage with his face masked in a crash helmet with a black visor and a telephone wired in it for a mic and wearing a blue jump suit. Bob then unleashes a torrent of hardcore Mississippi Delta blues, hip hop beats and punk rock. The crash helmet telephone distorts the vocals and his hands, arms, legs and feet become a blur of jump suit clad limbs as he plays slide, triggers drum machines and drums with his feet simultaneously. Bob then adds extra ingredients to this punk blues bouillabaisse with his unique version of audience participation. More often them not he’ll bounce a couple of audience members on his knees while playing, and then bring on the infamous Boob Scotch. The audience are invited to literally stick their boob in his scotch which he then drinks. If Bob feels satisfied he will then launch into his anthem Boob Scotch!
Bob Log’s identity and history is shrouded in mystery and rumour, probably helped by his stage get up and also when his record company Fat Possum put out an early press release claiming Log had a monkey’s paw grafted on to his wrist after a boating accident as a child. Here’s an excerpt…..”When Bob Log III was a child, he lost his left hand in a boating accident. It was soon replaced with a monkey paw, and a new guitar style was born. ‘It’s my own personal style, see,’ Log says, ‘the paw moves much quicker than a normal hand, so my real hand has to flop around a lot to compensate.'” When asked to explain Fat Possum’s insistence that his right hand is a monkey’s paw, Log replied to an interviewer that, “My hand is just hairy. Very, very hairy. It is NOT a PAW. Fat Possum was drunk.” Log further clarified the monkey paw myth in an interview with Bizarre Magazine: “I’ve got all my limbs. It’s just that when I’m playing my guitar my hand moves so fast it looks like a monkey paw, a hairy paw. My hand moves really fast. Faster than a normal human hand”
In fact Bob Log III was born in Tucson, Arizona and is a virtuoso slide player who plays with extremely thick strings tuned very loose that gives him his unique “floppy” sound. Growing up, Log listened to artists such as Chuck Berry, Bo Diddley and AC/DC, later commenting that “That’s what rock’n’roll is to me. You take a guitar, turn it up and have a good time…everyone else can go listen to Pearl Jam if they want to.” Bob Log got his first guitar at the age of 11, and by the age of 16 he had become smitten with Delta Blues, modelling his slide guitar style on that of Mississippi Fred McDowell. Log began his music career recording with Mondo Guano, a four-piece metal-blues band based in Arizona. Upon leaving Mondo Guano, Log went on to perform as one-half of seminal early Delta punk blues duo Doo Rag. Bob Log III was born when Bob was in the middle of a US tour with Doo Rag and his drummer quit. With necessity , ever the mother of invention, Bob donned a helmet he had picked up in a thrift store, took to the stage and kicked his guitar case for percussion and thus the legend of Bob Log was born. Bob Log eventually found his spiritual home on maverick Mississippi blues label Fat Possum in 1998 and released a trio of classic records: School Bus, Trike and Log Bomb.
In this current world of homogenised and mass marketed music, we need true mavericks like Bob Log III more than ever.
“Enthralling, mind-blowingly original and totally bonkers : just a few ways to describe Thomas Truax and his creative circus of the wonderfully surreal” Alex Flynn // Brighton Noise
One of the most imaginative characters on the pop music fringe, Thomas Truax (pronounced troo-aks) travels the world performing with his “band” of bizarre self-made Tim Burtonesque instruments including a motorized drum machine made of bike wheels called ‘Mother Superior’ and a pimped-up Gramophone called ‘The Hornicator’, as well as his venerable resonator guitar ‘Hank’.
More than just an inventor and entertainer, Truax crafts rich, poetically evocative songs about insects, trees, technology and various reasons ‘Why Dogs Howl at The Moon’. Notable supporters and collaborators include Jarvis Cocker, Duke Special, Richard Hawley, Amanda Palmer and Brian Viglione (of the Dresden Dolls) and the author Terry Pratchett. Thomas has also been featured with his Hornicator in a Jackie Chan Marvel Comic.
Five of his six albums are self-written, but a meeting with director David Lynch resulted in cleverly-titled and highly acclaimed 2009 covers album ‘Songs From The Films Of David Lynch’.
Last year Thomas turned down an invitation to perform on ‘America’s Got Talent’, but accepted another to score and perform in a major stage production of ‘Peer Gynt’ by award winning director Kay Voges in Dortmund, Germany. Critical reaction has been so strong for the play and it’s music that an album, ‘Trolls, Girls, and Lullabies’, is planned for release in April 2014. A brand new instrument, ‘The Saxogramophone’ is featured.
“When he performs, it is a spectacle – the originality and seeming impossibility of what he does is much of the appeal” The Guardian
“His gigs are extraordinary, like cabaret nights fizzing with showmanship” Q